At Someplace Else, slated to open up in January 2024, they’re carrying out issues a tiny in different ways than they did at the Goodtime, which offers the luxurious, maximalist Ken Fulk appear. At their outpost in the Bahamas, Williams and Grutman turned to New York City–based interdisciplinary architecture and structure business Rockwell Team—specifically, partner Shawn Sullivan—to outfit their hotel’s 400 rooms, foyer, bungalows with recording studios, and numerous eateries. The inspiration driving the aesthetic? A sort of sharp tropical-ism with myriad normal components, comfortable-to-the-contact textures, and light curves that stand out in opposition to the or else severe lines of Somewhere Else’s L-shaped framework. The new hotel is introducing a modern glance that’s putting Atlantis back on the structure-forward map.
Using more than The Beach’s key real estate along the azure-coloured coast at Atlantis, Paradise Island, the really contemporary Someplace Else, with its rainforest-like gardens that are as lush as they are dense, and prolonged, clean up traces, will be tricky to miss, as Williams and Grutman intended. Although the design staff is heading for an undeniably up to date appear and feel through the storied halls of Somewhere Else, they are also honoring The Beach’s first architect, Morris Lapidus, father of the neo-baroque type that swept via the Miami Fashionable period. A hugely influential determine during the midcentury-modern motion, Lapidus was tasked with setting up the 1st resort on Atlantis Paradise Island. Williams and Grutman aren’t attempting to erase his legacy but rather enhance upon it. In reality, Grutman has a profound appreciation for the late architect: His LIV nightclub resides inside of Miami Beach’s Fontainebleau Resort, which Lapidus signed on to layout in 1952.
The Grammy winner and the Groot Hospitality founder are also shelling out a not-so-refined homage to the at any time-existing tropical aesthetic of the Bahamas with a special backyard garden notion. Where so quite a few inns have tightly contained, highly curated greenery, Sullivan strategies to enable the crops and trees dictate Someplace Else’s landscape architecture. In other terms, the natural components will go where they want. It all harkens back again to the hotel’s indoor-outdoor principle that does not experience nostalgic—like the Goodtime Hotel does—in the minimum. Someplace Else, a new thought that almost worries what defines luxurious in today’s atmosphere, appears to be to the future in a way that no neighboring accommodations on the island do.